{"id":883,"date":"2011-09-07T00:07:41","date_gmt":"2011-09-07T05:07:41","guid":{"rendered":"http:\/\/filmigrana.wordpress.com\/?page_id=883"},"modified":"2023-03-06T21:59:44","modified_gmt":"2023-03-06T21:59:44","slug":"filmigrana-academia","status":"publish","type":"page","link":"https:\/\/filmigrana.com\/criticas\/nuestro-alijo\/filmigrana-academia\/","title":{"rendered":"Filmigrana Academia"},"content":{"rendered":"

“Lawyer<\/strong>: Dr. Wigand, I am instructing you not to answer that question in accordance to the terms of the contractual obligations undertaken by you not to disclose any information about your work at the Brown and Williamson tobacco company, and in accordance with the force and effect of the temporary restraining order that has been entered against you by the court in the state of Kentucky. (Long Pause) That means you don’t talk! (Pause) Mr. Motley we have rights here.<\/em><\/p>\n

Ron Motley<\/strong>: Oh, you’ve got rights… and lefts. Ups and downs and middles. So what? You don’t get to instruct anything around here. This is not North Carolina, not South Carolina, nor Kentucky. This is the sovereign state of Mississippi’s proceedings. Wipe that smirk off your face! Dr. Wigand’s deposition will be part of this record! And I’m gonna take my witness’ testimony whether the hell you like it or not!”<\/em><\/p>\n

En otras palabras, un espacio para encasillar toda parafernalia infernal, formal y (redundante, cierto) acad\u00e9mica.<\/p>\n

Sencillos y Unitarios:<\/em><\/p>\n

Joris Ivens: …A Valparaiso (1965)<\/a><\/p>\n

\n

Fritz Lang: M (1931)<\/a> <\/span><\/p>\n

\n

Steve McQueen: Hunger (2008)<\/a><\/p>\n

Federico Fellini: 8 \u00bd (1963)<\/a><\/p>\n

Orson Welles: The Trial (1962)<\/a><\/p>\n

Steve James: Hoop Dreams (1994)<\/a><\/p>\n

Harun Farocki: Bilder der Welt und Inschrift des Krieges (1989)<\/a><\/p>\n

Floris Kaayk: Metalosis Maligna (2006)<\/a><\/p>\n

Chris Marker: Level Five (1997)<\/a><\/p>\n

Anthony Asquith: The Browning Version (1951)<\/a><\/p>\n

Garth Jennings: Imitation Of Life (2001), Parte I<\/a><\/p>\n

Ensayos y Compilaciones:<\/em><\/p>\n

El Cine Negro en Jap\u00f3n: Referentes, Influencias e Inferencias – Parte I<\/a>, Parte II<\/a><\/p>\n

Voyerismo, moral y g\u00e9nero: Brian De Palma y Alfred Hitchcock – Parte I<\/a>, Parte II<\/a><\/p>\n

Christian Metz y el Western<\/a><\/p>\n

Tomm Moore y la Animaci\u00f3n Tradicional<\/a><\/p>\n

Algoritmos, Ritmos y Repetici\u00f3n: El Cine de Hollis Frampton<\/a><\/p>\n

Contextos del Avant-Garde Film en la d\u00e9cada de 1920 \u2013 Joris Ivens y el Documental Pict\u00f3rico<\/a><\/p>\n

La Importancia del Expresionismo Alem\u00e1n<\/a><\/p>\n

Douglas Sirk: Imitation Of Life (1959) y el Car\u00e1cter Afirmativo de la Cultura<\/a><\/p>\n

La imagen-signo en  Sal\u00f2, o los 120 d\u00edas de Sodoma<\/a> (Pier Paolo Pasolini, 1975)<\/p>\n

La Revoluci\u00f3n Representada: Marat\/Sade de Peter Brook (1967)<\/a><\/p>\n

Lo Sublime Kantiano en Nostalghia (1983) de Andrei Tarkovsky<\/a><\/p>\n

Sean Connery es Fray Guillermo de Baskerville: una aproximaci\u00f3n al estudio de la L\u00f3gica como Disciplina<\/a><\/p>\n

El Problema De La Nueva Carne: Cronenberg a trav\u00e9s del prisma de Freud y Lac\u00e1n<\/a><\/p>\n

Adoraci\u00f3n: “24\/7: Road To The NHL Winter Classic” (2010 – 2011)<\/a><\/p>\n

\"\"<\/p>\n<\/div>\n<\/div>\n

P\u00edldoras de Higiene Mental:<\/em><\/p>\n

a) P\u00edldoras de Higiene Mental #1: Ten Minutes Older<\/a><\/p>\n

b) P\u00edldoras de Higiene Mental #2: Animation Damnation!<\/a><\/p>\n

c) P\u00edldoras de Higiene Mental #3<\/a><\/p>\n

d) P\u00edldoras de Higiene Mental #4: Animaci\u00f3n pura<\/a><\/p>\n

e) P\u00edldoras de Higiene Mental #5: Koji Morimoto<\/a><\/p>\n

f) P\u00edldoras de Higiene Mental #6: Shigeru Tamura<\/a><\/p>\n

\"\"<\/p>\n\n\n

Filmigrana Intervi\u00fa:<\/em><\/p>\n\n\n\n

Especial de cr\u00edtica: Aaron Caba\u00f1as (BCN): Parte I<\/a>, Parte II<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

“Lawyer: Dr. Wigand, I am instructing you not to answer that question in accordance to the terms of the contractual obligations undertaken by you not to disclose any information about your work at the Brown and Williamson tobacco company, and in accordance with the force and effect of the temporary restraining order that has been … Continue reading Filmigrana Academia<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":4477,"parent":597,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-883","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/pages\/883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/comments?post=883"}],"version-history":[{"count":27,"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/pages\/883\/revisions"}],"predecessor-version":[{"id":6436,"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/pages\/883\/revisions\/6436"}],"up":[{"embeddable":true,"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/pages\/597"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/media\/4477"}],"wp:attachment":[{"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/media?parent=883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}