{"id":380,"date":"2010-12-10T22:24:04","date_gmt":"2010-12-11T03:24:04","guid":{"rendered":"http:\/\/filmigrana.wordpress.com\/"},"modified":"2022-08-27T17:51:08","modified_gmt":"2022-08-27T17:51:08","slug":"clases-magistrales","status":"publish","type":"page","link":"https:\/\/filmigrana.com\/criticas\/nuestro-alijo\/clases-magistrales\/","title":{"rendered":"Clases Magistrales"},"content":{"rendered":"<p><em>Clases Magistrales <\/em>es el proyecto insigne de <strong>Filmigrana<\/strong>, nuestro pan y mantequilla, si desean la analog\u00eda culinaria. Se hace un seguimiento de un director o realizador que sea del agrado del redactor, y su obra es desmenuzada por sus componentes de variadas clases. Es el lugar a donde ir para ver la transformaci\u00f3n art\u00edstica de un <em>auteur<\/em> y los enlaces existentes en su filmograf\u00eda, sin mencionar sus obsesiones, referencias y puntos de vista.<\/p>\n<p>Hasta el momento se incluyen los siguientes directores (inacabados):<\/p>\n<h5><strong>John Carpenter<\/strong><\/h5>\n<p>&#8211; <a href=\"https:\/\/filmigrana.com\/criticas\/index.php\/2010\/08\/25\/john-carpenter-dark-star-1974\/\">Dark Star (1974)<\/a><\/p>\n<p>&#8211; <a href=\"https:\/\/filmigrana.com\/criticas\/index.php\/2010\/09\/04\/john-carpenter-assault-on-precinct-13-1976\/\">Assault On Precinct 13 (1976)<\/a><\/p>\n<p>&#8211; <a href=\"https:\/\/filmigrana.com\/criticas\/index.php\/2010\/09\/11\/john-carpenter-halloween-1978\/\">Halloween (1978)<\/a><\/p>\n<p>&#8211; <a href=\"https:\/\/filmigrana.com\/criticas\/index.php\/2010\/09\/24\/john-carpenter-the-fog-1980\/\">The Fog (1980)<\/a><\/p>\n<p>&#8211; <a href=\"https:\/\/filmigrana.com\/criticas\/index.php\/2010\/11\/17\/john-carpenter-escape-from-new-york-1981\/\">Escape From New York (1981)<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5386 size-full\" src=\"http:\/\/filmigrana.com\/critica\/wp-content\/uploads\/2019\/02\/DerBlaueEngel.jpg\" alt=\"\" width=\"1024\" height=\"786\" srcset=\"https:\/\/filmigrana.com\/criticas\/wp-content\/uploads\/2019\/02\/DerBlaueEngel.jpg 1024w, https:\/\/filmigrana.com\/criticas\/wp-content\/uploads\/2019\/02\/DerBlaueEngel-300x230.jpg 300w, https:\/\/filmigrana.com\/criticas\/wp-content\/uploads\/2019\/02\/DerBlaueEngel-768x590.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<h3><strong>Clases Magistrales <em>Express<\/em><\/strong><\/h3>\n<p>Revisi\u00f3n compilada, resumida e incompeta de la obra de ciertos directores con quienes tenemos afinidad, por X o Y motivo. \u00a1Tambi\u00e9n se hacen a pedido del clamor p\u00fablico (<em>wink wink<\/em>)!<\/p>\n<h5><strong>Brian De Palma<\/strong><\/h5>\n<p>&#8211; <a href=\"https:\/\/filmigrana.com\/criticas\/index.php\/2019\/02\/28\/brian-de-palma-dressed-to-kill-1980\/\">Dressed to Kill (1980)<\/a><\/p>\n<p>&#8211;\u00a0<a href=\"https:\/\/filmigrana.com\/criticas\/index.php\/2019\/02\/18\/brian-de-palma-blow-out-1981\/\">Blow Out (1981)<\/a><\/p>\n<p>&#8211;\u00a0Voyerismo, moral y g\u00e9nero: Brian De Palma y Alfred Hitchcock \u2013\u00a0<a href=\"https:\/\/filmigrana.com\/criticas\/index.php\/2019\/02\/07\/voyerismo-moral-y-genero-de-palma-y-hitchcock-parte-i\/\">Parte I<\/a>, <a href=\"https:\/\/filmigrana.com\/criticas\/index.php\/2019\/02\/14\/voyerismo-moral-y-genero-de-palma-y-hitchcock-parte-ii\/\">Parte II<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Clases Magistrales es el proyecto insigne de Filmigrana, nuestro pan y mantequilla, si desean la analog\u00eda culinaria. Se hace un seguimiento de un director o realizador que sea del agrado del redactor, y su obra es desmenuzada por sus componentes de variadas clases. Es el lugar a donde ir para ver la transformaci\u00f3n art\u00edstica de &hellip; <a href=\"https:\/\/filmigrana.com\/criticas\/nuestro-alijo\/clases-magistrales\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Clases Magistrales<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":4390,"parent":597,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-380","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/pages\/380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/comments?post=380"}],"version-history":[{"count":11,"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/pages\/380\/revisions"}],"predecessor-version":[{"id":5730,"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/pages\/380\/revisions\/5730"}],"up":[{"embeddable":true,"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/pages\/597"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/media\/4390"}],"wp:attachment":[{"href":"https:\/\/filmigrana.com\/criticas\/wp-json\/wp\/v2\/media?parent=380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}